| Principals (3m, 2f) |
| Old Max - (m) a very important character, the story is told through his eyes, has arthritis and poor eyesight but retains the same sharp humour of the younger Max |
| Billie the Kid - (f) Caleb’s best pal, young, energetic, has only two scenes but is vital to the plot |
| Caleb the Colt - (m) Old Max’s grandson, inquisitive, a quick learner, Old Max’s ‘straight man’ |
| Young Max (Macca) - (m) the lead role, tons of energy, loads of wise-cracking attitude, in almost every scene |
| Arella, the Angel Pony - (f) has two very important scenes, very beautiful, dry sense of humour which is not immediately obvious |
| |
| Support (7m, 5f, 13m/f) |
| Carmel the Cow - (f) a one-scene role; totally unadventurous, she’d rather be left in peace |
| Honest John or Joy - (m/f) a one-scene cameo; second-hand livestock salesperson, uses East End patter, untrustworthy |
| Joseph -(m) a major supporting role, needs to be versatile in order to convey many different emotions |
| Centurion -(m) a small part but must have authority, would suit a larger actor |
| Mary - (f) non-speaking role with one solo song |
| Ludicrus - (m/f) a one-scene cameo; Roman army horse, big, powerful and quietly menacing, sounds a little like Robert de Nero |
| Odius - (m/f) a one-scene cameo; smaller Roman army horse, not quite as big but still very powerful and menacing, sounds a little like Al Pacino |
| Mr Innkeeper - (m) a Jewish husband, must have good comic rapport with Mrs Innkeeper |
| Mrs Innkeeper - (f) a Jewish wife, must have a good comic rapport with Mr Inkeeper |
| Woodstock - (m/f) a one scene cameo; a hippy sheep who needs to be really ‘groovy’ |
| Arthur - (m) a one scene cameo; humourless bureaucratic sheep, perhaps with a Yorkshire or London accent |
| Waitress - (f) an outgoing, confident and friendly girl mule |
| Frankie the Mule - (m/f) a singing role; a good Frank Sinatra impersonator would be useful |
| Simeon - (m) a one-scene role; a mysterious old sage sounding just a little like Sir Alec Guiness |
| The Bandit - (m/f) a one-scene role; an affable Country and Western-type camel |
| Sugar Bear - (m/f) a one-scene role; another affable Country and Western-type camel |
| Snowman - (m/f) a one-scene role; yet another affable Country and Western-type camel |
| Temple Guards 1, 2 and 3 - (m/f) a one-scene cameo; the bad guys, need to work well together |
| Road King - (m/f) a one-scene role; a horse in the Temple Guard, a Hell’s Angel type, nasty, the ‘leader of the pack’ |
| Electra - (f) a one-scene role; a horse in the Temple Guard, a Hell’s Angel type, another nasty piece of work |
| Fat Boy - (m) a one-scene role; a rather obese horse in the Temple Guard, not particularly quick on the uptake |
| Disciple - (m) has one scene of two lines, would suit the novice or shy actor |
| Desert Angel - (m/f) an off-stage role via PA; must have a good Deep South accent |
| |
| Chorus - Villagers, Shepherds, 4 x Traders (also sing a six line solo each), 3 x Magi (non-speaking), Temple Guards etc |
| |