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Ghosts In The Afternoon

    by Bernard J Taylor and Simon Taylor


     

Synopsis Ghosts In The Afternoon by Bernard J Taylor

A new play from the father and son team of Bernard and Simon Taylor. Those familiar with Bernard's musicals and other works will already appreciate the quality of his writing, and this collaboratively written play with Simon, is no exception.

Ross Miller, an introverted and burned-out writer, ends a hollow relationship with a married woman at the same time he rents a room in his city apartment to an extravert out-of-towner named Rachel, a generation younger than himself He is torn between his attraction to her, his self-consciousness and his fear of involvement.

Complicating the situation is the fact that he is haunted by the ghost of his youth and the spectre of a diminished old age. But when the immovable objectivity of his introverted nature is challenged by the irresistible force of the outgoing Rachel, something’s got to give.

Complete with scene change and other incidental music composed by Bernard J Taylor this play is intuitive, intellectually interesting and incisive.


Characters

Principals (3m, 2f)
  Ross Miller- 40ish, has a strong physical presence
  Rachel- 20's, vivacious, attractive
  Old Man- wheelchair-bound, looking like an older dissolute version of Miller
  Young Man - idealistic, intense, angelic face, same colouring as Miller
  Margot - mid 30's, poised, slightly aloof in her bearing
 
Support (1m, 1f)
  Glennis - Young office worker (speaking) doubling as Female Silhouette (non-speaking)

  Male Silhouette (non-speaking)


     

Interested? Now take the next step ...

First, order a download of the FREE Preview script (contains between half and two-thirds of the entire script).
Then, if you still like it, buy and download the e-script (or order a printed script) and read the whole thing.
Now you've decided to stage a production, so request a Royalties Quotation.
Once the royalties are paid and you have been issued with a licence to perform, either...

  • buy a script copying licence, or
  • buy a cast size set of printed scripts

    ... before you start rehearsals.

Dont forget to ...

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  • send us a copy of your posters and programme (that's in your licence contract!)
  • send us any reviews (by e-mail) or comments - we'd love to hear what you think about it all.



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