*** REDUCED SERVICE LEVEL***
Our office is open for one day per week until further notice
and we are currently unable to fulfil orders for Printed Scripts and items despatched on USB Sticks.
We've been open throughout the pandemic dealing with its ramifications, and we're going to take a break until things change regarding theatre.
All aspects of our operation will be affected: Quotations, Licensing, Sales, and General Enquiries. Please be patient if we take a long time to respond.
Battieman Blues
by Oscar Watson
|
|
|
|
Synopsis
Paul does not identify as gay because all he knows are stereotypes of feminised men, but he does have sex with them. For him; sex with white gay men devalues them but doesn't affect him until he encounters Lloyd and follows him home.
This is a new set of experiences for Paul who is used to getting his way with the men he encounters. When Lloyd turns out to be unimpressed by Paul's machismo, Paul becomes abusive. Lloyd accidentally knocks Paul out, ties him up and is able to lecture him when he revives. Paul confesses the truth of his sexuality and fears about how 'giving in' would affect his masculinity.
The final act happens after a night where the two have sex together. Paul is elated until challenged by Lloyd to make changes in his lifestyle and to live truthfully. There is a big test involving the milkman(!) and the play ends with Paul calling his girlfriend... |
|
Duration
|
90 mins approx |
|
Characters
|
(2m)
|
- Lloyd - early 30’s, light-skinned, averagely attractive, artistic - even ‘cultured’ but lacking in self-confidence, gay but not particularly obvious from his mannerisms or appearance, takes particular care in his clothes & personal grooming
- Paul - slightly younger than Lloyd, dark-skinned, physically fit, full of confidence, bullishly working class, proud of his masculinity and work as a skilled labourer, trendily & casually dressed
|
|
|
|