A Bit Of Background

Stagescripts Ltd started as a small family-run business that evolved and expanded over time. It signed its first titles into a catalogue in 1998, but it wasn't until four years later as 'Plays And Musicals' that it began to really expand and develop a new catalogue. In 2007 it registered the company name 'Stagescripts Ltd' as the formal trading operation, at which time 'Plays And Musicals' and all it's assets was purchased for £1 giving the new company a solid starting position.

In 2009 the MD sat down with Chris Grady, a professional theatre consultant and the ex Head of International Licencing at Cameron Mackintosh Ltd. Together they mapped out the business vision and goals for Stagescripts Ltd, and the organisation must have been doing something right because Chris subsequently joined the Board and provided a wealth of advice and contacts. Chris now runs the CGO Institution, a UK based organisation that supports creatives to make connections across the national and international theatre sector.

Caroline Underwood joined the Board in 2012. Caroline worked for many years as head of the licensing department at Warner Chappell, before joining Alan Brodie Representation, then later moving to start her own talent agency for writers, composer and directors. For a number of years she was the Chair of Mercury Musical Development, and with Warner Brown she established the S&S Awards which they then transformed into S&S Theatre Productions.

In 2024 the management team was strengthened when Chris Chambers and Nicky Chambers acquired a controlling interest in the company.

Our Staff

Managing Director : Chris Chambers
Chief Operating Officer : David Waters
Sales Manager : Nicky Chambers
Client Relationship Manager : Chris Chambers

Board Members : Chris Chambers, Nicky Chambers, David Waters, Caroline Underwood, Chris Grady

Our Acquisition Policy

This is the underlying ethos behind our acquisition of titles ...

Plays

For plays we provide a balanced general catalogue of titles ranging from family-friendly comedy to some distinctly edgy contemporary drama, with all shades of styles and content in between. Given that play production companies are generally prepared to take more of a risk when choosing a play than their counterparts in musical theatre, we tend to select titles that meet that demand, whilst always trying to maintain an overall balance between the genres represented.

Musicals

For musicals, when we started Stagescripts Ltd in 2007, with the experience gained in setting up and running 'Plays And Musicals', we faced a choice: either to 'sit back and pick low-hanging fruit in the sunshine' (ie forget the difficult stuff, just have a catalogue stuffed full of pantos, junior school musicals and one act festival plays) or, to 'attempt to climb the Himalayas in a snowstorm' (ie have a catalogue filled with top quality, but mostly unknown musicals, both small contemporary ones and big production ones).

We decided on the 'Himalayan' approach and our growing catalogue of excellent high-quality musicals now provides both a good home for the writer's/composer's works, and also a place where prospective producers can begin to find exciting new material. There is a wealth of material available that is superbly written and has good box office potential, but has never had West End success and so gets no wide exposure.

Our acquisitions come from many countries around the world, but being a British company, where possible we like to publish the works of new British musical creatives.

For musicals then, we are attempting to fill a void in the marketplace between the 'fruit-picking' publishers with their pantos and school musicals, and the big three or four market leaders with their ex-West End and ex-Broadway titles.

Pantomimes

The number of pantomime titles available for production from other rights-holders is immense, necessary to fill the insatiable Christmas tradition for production companies to perform the traditional British pantomime. Many of these other rights-holders specialise in pantos, and it was clear to us that if we could not compete on quantity, we might attempt to compete on quality. Our strategy then is to offer a range of pantos that have either been the subject of a professional production, or have a top-notch writer, or excel in some other way.

We have been growing the number of titles in our catalogue at a pace that is consistent with steady growth, and our policy of strategic alliances with corporate copyright owners/managers as well as individual creatives is now forging ahead with useful results.

Our company statement is that ... 

Stagescripts Ltd is an independent publisher and rights-holder for the works of mostly contemporary
writers and composers of musical theatre and drama, serving adventurous producers

Our goal (for musicals) is ...

To provide a shop window for those titles that are of excellent quality but have had
little or no exposure on a West End or Broadway stage and are therefore
mainly unknown quantities to a theatre audience

Our goal (for plays and pantomimes) is ...

To provide our customers with a compact and interesting catalogue of high quality
dramatic and comedic pieces that are attractive to an audience

      ... and, through both of which, we provide production organisations with ...

... new titles ...

with which they face

... new challenges...

but from which they can reap

... new rewards ...