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               COVID-19 Advice (issued 18 March 2020)

Given the current circumstances we've had a high number of groups make contact with us, and, due to the amount of effort put into rehearsals/marketing etc, most of them have so far wanted to re-schedule rather than cancel. We're not charging fees for any deferral of productions.

If you decide to postpone your production you probably won't know the dates for later in the year, or next year, yet, but please advise us nevertheless, and we'll issue a new temporary licence to show a date range of 2-3 months which you can then refine with us when the actual production dates are known.

Regarding cancellation: our administration fee will not be levied where you are forced to cancel your production.
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PLEASE DON'T PHONE US.
INSTEAD, CONTACT US BY E-MAIL (sales@stagescripts.com) AS PHONE CALLS TEND TO BE LONG-WINDED.
WE CAN DEAL MORE QUICKLY WITH REQUESTS BY E-MAIL.

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We will be unable to fulfil any orders for printed scripts for the foreseeable future. Any orders placed will be cancelled and a refund made.
Orders for downloadable preview scripts and e-scripts are not affected.

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Bean, Stephen

Stephen Bean

Stephen BeanBorn in 1960, Stephen grew up on a farm in East Yorkshire, England and began his working life as a stockman. A review of his career led to his becoming a nurse in an Accident and Emergency department and he is currently a support worker for the learning disabled, with responsibility for Drama. Still living in East Yorkshire, Stephen is married with two children.

Throughout his life Stephen has had a love for Drama and has acted and written since he was a teenager.  One of his favourite roles was as Willie Mossop in “Hobson’s Choice”. In the 1990’s he formed “Theatre on the Wolds”, an amateur group who perform mostly original work in local village Halls. Their entries into the North Eastern section of the All England Festival of One Act plays has brought attention to Stephen’s writing, with the group winning Best New Play for five consecutive years.

Stephen’s working background has brought him into contact with a wide variety of down to earth, no nonsense “characters”, the like of which form the mainstay of his writing.  Allied with a natural sense of humour and a strong sense of the absurd, Steve’s plays tend to make us view the extraordinary in ordinary lives. “A Little Box of Oblivion” is a prime example of his style where a box, innocently placed on a park bench, becomes the centre of intrigue and the wild imaginings of the play’s characters. 

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