Cyrano
by Chris Chambers (adapted from Edmond Rostand)
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Synopsis
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The action begins in a bustling Parisian theatre. A young soldier, Christian de Neuvillette arrives with his friend Ligniere. He knows that the lady he dotes on will be present, though he does not know her name. When she appears, accompanied by the Comte de Guiche, Ligniere names her as Roxane and leaves the theatre. Soon after Christian follows, having heard of a plot against his friend’s life. The ‘play’ begins and the melodramatic Montfleury takes to the stage. Suddenly Cyrano appears and demands Montfleury leaves the stage, which he does. An arrogant aristocrat, Valvert, challenges Cyrano to back down, drawing attention to his abnormally large nose. A duel follows, with Cyrano creating a humiliating poem as he fights. After Cyrano’s victory, Roxane and her entourage leave.
Cyrano tells his friend Le Bret that he is in madly in love with Roxane but will not attempt to woo her because of his ungainly appearance. But his hopes are buoyed when Roxane’s lady in waiting appears asking that he arrange a venue for a meeting tomorrow. An appointment is made and Cyrano can hardly control his excitement. On hearing that Ligniere is in danger following a political pamphlet he wrote, Cyrano rallies his followers and marches into the Parisian night to fight a hundred men in his defence
At Raganeau’s bakehouse the next day – populated with aspiring poets and cooks - Roxane meets Cyrano and tells him that she is in love with a young cadet, who starts today in his regiment. She asks him to protect the young man, who is called Christian. As she leaves, The Gascony Cadets arrive with stories of Cyrano’s bravery in defending Ligniere the night before and ask that they tell him the story of the fight. Christian arrives soon after and the cadets warn him not to react to Cyrano’s distinctly large nose. Showing bravado Christian draws attention to it continually and Cyrano’s violent reaction has all the cadets except Christian running for the exit.
Alone with Christian, Cyrano divulges Roxane’s message of love for him and encourages him to compose her a letter. Christian describes his shyness around women and his lack of invention, so Cyrano offers to write the letter for him. It is the first of many…Together they woo Roxane, culminating in a moonlit balcony scene when Cyrano speaks the words and Christian climbs the balcony to steal the first kiss. The jealous De Guiche posts Cyrano’s regiment to Arras, separating Roxane and Christian.
From Arras, Cyrano continues to write his epic love poems, unbeknown to Christian, and crosses the battlefield to deliver them twice daily. When Roxane arrives incognito on the fields of Arras she is madly in love with Christian, but he realises that it is Cyrano she loves. Running into battle he is killed just as Cyrano is about to declare the truth.
Years later, Roxane is still in mourning for Christian when she receives a visitor at her convent. It is Cyrano, who has come every week since Arras to share courtly news. But he is injured, assaulted by enemies on his way to see her and is dying. Reciting one of his letters to her she realises that he was the voice of her love. With one last flourish Cyrano fights off the shadows that have haunted him and dies in Roxane’s arms.
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Characters
Principals (5m, 2f)
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- Cyrano de Bergerac (a swashbuckling soldier and poet, insecure about the way he looks)
- Christian (a young nobleman and cadet, insecure about his ability to express himself)
- Roxane (a lady and cousin to Cyrano, in love with Christian)
- Duenna (lady-in-waiting to Roxane, cheeky and loyal)
- De Guiche (aristocratic, supercilious Commander, obsessed with Roxane and jealous of Cyrano)
- Le Bret (Gascony Cadet and great friend to Cyrano)
- Raganeau (Parisian Baker and friend to Cyrano)
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Support (7m,4f)
- Lise (Raganeau’s wife)
- Cuigny (Gascony Cadet)
- Baron (Gascony Cadet)
- Chevalier (Gascony Cadet)
- Ligniere (A writer of political pamphlets who likes a drink or two)
- Montfleury (a classical actor guilty of supreme over-acting)
- Valvert (a smug, arrogant and cruel aristocrat)
- Jodelet (a theatre-manager)
- Mother Marguerite (Mother Abbess at The Sisters of The Holy Cross)
- Sister Claire (Young nun at the Sisters of The Holy Cross)
- Sister Martha (Young nun at the Sisters of The Holy Cross)
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Ensemble (12m/f) (Many of the ensemble parts can be doubled from the support cast and can be played by any gender - suggestions of possible doubling are made in brackets)
- 7x Bakers (apprentices to Raganeau and master pastry-makers - Jodelet, Montfleury, Valvert plus ensemble)
- 3x Poets (‘friends’ of Raganeau who praise his poetry in exchange for pastries - could be played by Sisters' Claire, Martha and Marguerite)
- Gascony Cadets (Ligniere, Chevalier, Baron, Cuigy, Doorkeeper, D'Artagnan, + extras)
- Doorkeeper
- D’Artagnan
- Musketeer (a Gasacony Cadet)
- Flower Girl (played by Sister Claire)
- Guards (as cast)
- Marquis (as cast)
- Pickpocket (played by Sister Martha)
- Soldiers (as cast)
- A Woman
- Friar’s Musicians x2 (as cast)
- Friar (Mother Marguerite)
- Guards (as cast)
- Nuns (Lise and as cast)
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Scene List
Act One Scene 1 : Hotel De Bourgogne 1640
Act One Scene 2 : Raganeau’s Pastry Shop, Rue St. Honore
Act One Scene 3 : Roxane’s Balcony (which overhangs a courtyard with a house opposite).
Act Two Scene 1 : The Army Camp at Arras
Act Two Scene 2 : The Garden of The Sister’s Of The Holy Cross, 1654
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Note from the playwright:
"I was excited to adapt the most epic and romantic of stories in this shortened version (1 hour 20 mins) and had a great time producing the show in the gardens of Trinity School, Croydon in 2019 with an enthusiastic cast.
There are many opportunities for live or recorded music to enhance the atmosphere. I chose Cuccini’s ‘Ave Maria’ as a soundtrack to the action, which worked well at the end of Act 2, Scene 1 after the devastation of Arras. I composed a song – ‘Autumn Leaves’ to chart the passing of time and lead the audience into the gentle atmosphere of the Nunnery, with the nuns singing as they went about their work. The sheet music is printed at the end of this script and a recording/backing track is available on request.
I hope you will enjoy being creative with this script and developing production ideas from it. We had a real pony draw Raganeau’s cart onto the stage with Roxane hidden inside for the Arras scene. This is not a requisite, but it was great fun!"
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