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Gulliver's Travels

by Chris Chambers and Andy Rapps


     
Now playing : 'Fifty Men Of War'

This title is currently restricted. Please contact us for further advice or information

Gulliver's Travels - the definitive musical
"... one of the best shows I have seen lately
- if not ever!"

Diana Eccleston, Croydon Advertiser


A musical journey into the soul of a person who has had his view of
life challenged, in his search for a perfect way to live.


     

Synopsis

At the opening of Act One the captain of a ship, Don Pedro de Mendez, is reading in his cabin. A compassionate man, he ponders on how difficult it is to find a purpose in life ('Another Way'). His crew return from a desert island carrying a wounded man, strangely dressed and whinnying like a horse. They discover his name is Lemuel Gulliver and Don Pedro determines to help him recover his mind. Gulliver starts to recount his experiences to Don Pedro and the story moves to his family in London, before his travels began. It is 1714. His business has failed and he is forced to leave his wife and children to take up a position as a ship’s surgeon. The voyage is doomed and he is shipwrecked, washed up on a beach.

Lilliput
In the land of Lilliput, a council of war is in progress. The neighbouring country of Blefuscu is poised to attack, their navy anchored a mile offshore. These two great nations are engaged in a bitter conflict over which end of an egg one should crack. A Blefuscan scout has been captured and The Emperor reminds him of the reasons for this war ('The Story of The Egg'). Proceedings are interrupted by news of a giant man found washed up on the beach. There is panic and excitement as they discover Gulliver asleep there, his colossal body stretched across the sand ('Enormous').

The Lilliputian army stake him to the ground and he wakes, unable to move. Council members, Skyresh and Flimnap, discuss what should be done with this giant man. They argue he is dangerous and expensive to keep, but The Empress is very taken with him and tries to convince her husband to free him ('What a Man Like That Could Do'). Once Gulliver’s gigantic pistol is discovered and demonstrated ('The Inventory'), the Emperor agrees to free him if he will use this power against their enemy Blefuscu. If not, they will kill him. Gulliver has no choice but to wade out to sea and drag the enemy ships away ('Fifty Men Of War').

Having conquered The Blefuscan Fleet, Gulliver is awarded the title of Nardac – the highest honour in the land ('Nardac Ceremony'). Jealous of Gulliver’s popularity, Skyresh and Flimnap plot to set fire to the royal palace in a bid to consume him. Gulliver swiftly extinguishes the fire using “natural means”, but unwittingly drenches The Empress in the process. Humiliated and soiled, she turns against him, demanding along with the others that the 'giant man-mountain' be put to death. ('What a Man Like That Could Do' Reprise).

Gulliver wakes from a nightmare in Don Pedro’s cabin and relates how he escaped the Lilliputian’s poisonous intentions and made it back to London, to his wife and family, only to set sail again soon after on an even more astounding and unpredictable voyage.

Brobdingnag
In the land of Brobdingnag, it is harvest time and a farmer and his wife have sent their young daughter out to work in the fields ('Golden Corn'). She spots a tiny creature in the corn, rescues it and takes it home. Her spiteful parents shake it from the box onto the table and the tiny man revealed before their eyes introduces himself as Dr. Lemuel Gulliver. Seeing the opportunity to exploit this bizarre situation, the farmer and his wife force Gulliver to dance and sing on demand. He very quickly becomes the talk of the town and a lengthy tour show concludes with a command performance at the royal palace ('Happy Day').

The Queen is impressed, but concerned for Gulliver’s physical health. She offers to purchase the tiny man for an agreeable fee and asks that their daughter, Glumdalclitch, stay at the palace to care for him. The farmer and his wife leave significantly richer and Gulliver and Glumdalclitch become great friends ('My Little Man'). Gulliver quickly gains favour at court, mastering the spinet with his feet and chronicling undiscovered insect-life, but he faces terrible danger from The Queen’s Jester, a dwarf, who, jealous of Gulliver’s increasing popularity, follows him to the orchard and sets a shower of apples falling about his tiny head. The Queen rebukes The Dwarf and orders him to apologise, which he sincerely tries to do ('Making Amends'). But his gesture of a sweet cake attracts a swarm of wasps that nearly sting Gulliver to death. The Queen orders The Dwarf’s arrest and her household are quick to find him in the orchard, arguing with Glumdalclitch ('Orchard Sequence').

Cornered, he panics, grabbing the tiny Gulliver from Glumdalclitch and hurling him spontaneously from the cliff-top into the ocean before fleeing the scene. All exit in pursuit of The Dwarf, as The Queen comforts a grieving Glumdalclitch—her best friend, Gulliver, gone forever.

In Act Two Don Pedro has gained Gulliver’s trust and hears how Gulliver left his pregnant wife and family for a third time, taking up a lucrative job as Captain of The Adventure. Unlucky at sea, his captaincy is short-lived and his crew mutiny, setting him adrift in uncharted waters.

Laputa
On the undiscovered flying island of Laputa, bizarre intellectuals mill around, jabbering to themselves, lost in mathematical conundrums ('How Does The Sun'). These Laputans survive in the air by demanding resources from the lands below, causing untold suffering. One of these lands is Lindalino, home to a passionate but ineffective resistance led by a spirited young woman called Gaia and her grandfather, Munodi. They are determined to gain equality for their people but their petitions are quashed by The King and his Academy - the country’s governing body. Into this land of unrest, Gulliver appears, winched up from the sea onto the flying island at the time of a major eclipse. Gaia interprets this as a heavenly sign and finds the opportunity to tell Gulliver of their sufferings and her plan to discredit the Academy that rules their lives. Gulliver recognises her sincerity and agrees to help. He manages to impress The King and gets permission to view The Academy at work. Gaia’s followers are overjoyed at Gulliver’s progress ('The Music of The Spheres') as is Gaia, whose kiss is recklessly returned by Gulliver, to his shame ... as, back In England, his wife, Mary, has had Gulliver’s third child. Following their unhappy parting she resolves to stand by her husband and wait for his return ('One Last Time').

Gulliver enters The Academy, finding it full of eccentrics, wasting resources on hopeless experiments with no benefit to anyone ('The Academy'). Using this information against Laputa brings Lindalino under attack. As the flying island approaches, Gaia professes her love for Gulliver. He sees how his actions have led her on and tries to make her understand that he cannot be with her. But the death of a key figure in the plan demands his immediate attention. The distraught Gaia runs off into the storm. Minutes later comes a change of fortune as Laputa begins to retreat. The people return triumphantly only to be greeted by Munodi carrying Gaia in his arms. She has been killed. A solemn procession carries her away, to Gulliver’s great distress.

Gulliver comes to his senses on the ship’s deck and Don Pedro tries to comfort him, but the memory of Gaia is too deep a pain.

Houyhnhnmland (pronounced 'Hoo-na-him Land')
Left to his thoughts, Gulliver enters Houyhnhnmland. He is attacked by wild ape-like creatures, until a horse – a sorrel nag – appears, which causes them to flee. The Sorrel Nag beckons him to follow and soon it becomes clear that in this land the horse is the master. Over a period of time, Gulliver learns the Houyhnhnm language and is drawn in to their peace-loving, non-materialistic ways. ('Hnuy Illa Nyha Maiah'). His past starts to blur as he begins to look at life differently. The Assembly has ruled that a Yahoo cannot reside in a Houyhnhnm house and that he will have to leave. Gulliver defends himself, arguing that he is not a Yahoo - that he can reason and create - but The Master Horse is adamant that he must not use their land to escape his troubles, that his purpose lies elsewhere. The Sorrel Nag pleads for Gulliver to stay, to no avail.

Don Pedro finds Gulliver sobbing on deck and his presence signals an angry response from Gulliver, denouncing the weakness and depravity of human beings. But Don Pedro offers an alternative view, of a Spirit in Man, of the power of perseverance and the importance of the quest to find a purpose in life ('Journey On'). Moved by Don Pedro’s compassion, Gulliver returns to the cabin.

Back in England, five years later, Gulliver’s eldest daughter Betty is visiting with a new addition to the family. She hears that her father still spends most of his time in the attic writing or in the stables, talking to the horses. Clearly obsessed by his travels, Gulliver is revealed in the attic writing a letter to his publisher. He opens the book he has written - 'Travels Into Several Remote Nations Of The World In Four Parts'. His imagination takes flight as the characters are freed from the page ('Attic Sequence'). The last figure to appear before him is Don Pedro, who reminds him to honour love in everything and continue to search for a perfect way to live ('Journey On' Reprise).

At the climax of Gulliver’s involvement in this vision, Mary enters the attic. Her distressed husband breaks down and opens up to her, wondering if she can see the figures standing before him. Calming him, she wipes his brow as Don Pedro and Gaia disappear from view. Mary’s quiet dignity, inner strength and understanding touch Gulliver profoundly and they leave the attic together, hand in hand, on the path to a better way.


Characters

Total Qty of Named Characters - Principals : 9m, 7f, 1m/f   Support : 10m, 4f, 3jr-m, 1jr-f plus chorus
  NOTE : All principals and support roles can double throughout EXCEPT Gulliver, Mary and Don Pedro
 
GULLIVER’S ‘REAL-LIFE’ CHARACTERS ...
 
Principals (2m, 1f)
  Lemuel Gulliver – 30’s, versatile, vulnerable, open, well-meaning, the journey for him is physical, emotional, mental and spiritual (High Baritone; a challenging role)
  Mary Gulliver – 30’s, caring, forthright, long-suffering, her strength comes from within (Mezzo Soprano)
  Don Pedro – 30-50, humane, compassionate, philosophical, a ship’s Captain (Baritone)
Support (2m, 1f, 2jr-m, 1jr-f)
  Lieutenant Avaghelo – 20’s, fiery, dutiful, ambitious, Don Pedro’s aid (non-singing role)
  Dr Fernando – 30-50, a ship’s surgeon, impatient, matter of fact (non-singing role)
  Jonny Gulliver – 8-12, a little bit of a bully (non-singing role)
  Young Betty Gulliver – 8-12, caring and kind (appears in Act One only, solo)
  Older Betty Gulliver – early 20’s (appears in Act Two, final scene only, non-singing role)
  Frances Gulliver – 8, the Gulliver’s third child (appears in Act Two, final scene only, non-singing role)
 
GULLIVER’S ‘FANTASY’ CHARACTERS ...
 
 Lilliput (Land Of The Little People)
  Principals (3m, 1f)
    The Emperor – 20-50, precise, controlling, arrogant, small-minded, self important (Baritone, solo)
    The Empress – 20-50, flirtatious, fickle, unpredictable and vindictive (Mezzo Soprano, solo)
    Skyresh – 20-50, manipulative, double-crosser, an Admiral, advisor to the Emperor, Gulliver’s enemy (High Baritone, solo)
    Flimnap – 20-50, the Treasurer, cowardly, miserly (Baritone, solo)
  Support (2m, 1f, 1jr-m)
    Clefren & Marsi – 20-50, comedy double-act, husband and wife, quite simple but well-meaning (Baritone & Alto)
    Reldresil – 20-50, the Private Secretary, honourable, humble, fair (non-singing role)
    Drunhlo – 12 (approx), Clefren & Marsi’s son, (small non-singing role)
 
 Brobdingnag (Land Of The Giants)
  Principals (2m, 3f)
    Glumdalclitch - 12-16, a young girl, sweet, kind and caring, the Farmer’s daughter (Mezzo Soprano, solo)
    The Farmer – 20-50, a yokel, earthy, a brute, unkind to his daughter, regional accent (Baritone, small solo)
    Farmer’s Wife – 20-50, opportunistic, unkind to her daughter, same regional accent as The Farmer (Mezzo Soprano, small solo)
    The Queen – 20-50, honourable, sincere, powerful and kind (Mezzo Soprano, small solo)
    The Dwarf – any age, any height, the Queen’s Jester, funny, impulsive, spontaneous, irritating and dangerous (High Baritone, solo)
  Support (1m, 1f)
    Grandma – 40-70, Glumdalgitch's Grandmother, not all there (an accordion player if possible, non-singing role)
    Dunstable – 20-50, dutiful, right-hand man to the Queen (non-singing role)
 
Laputa & Lindalino (The Flying Island & The Mainland)
  Principals (2m, 1f)
    Gaia – 18-30, a young woman, beautiful, honest, inspiring, a shining light, falls for Gulliver, leads the rebellion against Laputa (Mezzo Soprano)
    Munodi – 55-70, Gaia’s grandfather, upright, caring, firm, diplomatic, practical and realistic (non-singing role)
    The King – 30-50, distracted, unfeeling, intellectual, devoid of common sense (non-singing role)
  Support (5m)
    The Warden - key-holder of the Academy, pompus, jobsworth (non-singing role)
    Academy Members x 4 – a number of useless intellectuals with bizarre ideas (Baritones, small solos)
 
Houyhnhnmland (The Land Of The Horses)
  Principals (1m/f, 1f)
    The Master – (m/f) any age, the leading horse, poised, fluid, a guru, honours reason, honest and fair, all powerful within the society (movement / physical theatre skills from the actor would be a bonus, non-singing role)
    Sorrel Nag – any age, a female horse, caring, gentle, graceful, peaceful, loyal (movement / physical theatre skills from the actor would be a bonus, soprano, solo)
 
Ensemble / Chorus
  Don Pedro’s Crew; Lilliputians; A Herald; Army; Courtiers; Reapers; Punters in Pub*; Ladies at tea*; Apples; Three Maids*; Three Scholars*; Wasps; People of Brobdingnag; Laputans and Flappers; The King’s Flappers; Doctor's assistant*; Musicians; Conductor (possibly played by the Musical Director); Dissenters on Lindalino; Yahoos; A caged yahoo; Horses
  Note : * = Solo singing roles taken from the ensemble
 

Songs

  1) Another Way Don Pedro & Company
  2) The Story Of The Egg The Emperor & Lilliputian Court
  3) Enormous Clefren, Marsi, Skyresh, Gulliver & Company
  4) What A Man Like That Could Do Skyresh, Flimnap & Empress
  5) The Inventory Clefren, Marsi & Drunhlo
  6) What A Man Like That Could Do (Reprise) Emperor
  7) Fifty Men Of War Gulliver & Ships Chorus
  8) One Little Flame Skyresh & Flimnap
  9) The Nardac Ceremony Gulliver & Company
10) What A Man Like That Could Do (Reprise) Skyresh, Flimnap, Emperor & Empress
11) Golden Corn Mary & Betty, Reapers, Country Girls & Glumdalclitch
12) Happy Day Farmer, Farmer’s Wife & Company
13) My Little Man Glumdalclitch & Gulliver
14) Making Amends Dwarf, Maids & Scholars
15) Orchard Sequence Glumdalclitch, Queen, Dwarf & Company
~~ Interval ~~  
16) Prologue Orchestra
17) One Last Time Mary
18) How Does The Sun? Laputans, Flappers, Gaia & The King
19) The Music Of The Spheres Gaia, Gulliver & Dissenters
20) The Academy Academy Members
21) The Music Of The Spheres (Reprise) Gaia, Gulliver & Dissenters
22) Hnuy Nyha Maiah The Horses
23) Hnuy Illa Nyha Maiah / Be Gentle Sorrel Nag & Gulliver
24) Journey On Gulliver & Don Pedro
25) Attic Sequence Company
26) Journey On (Reprise) Company

Information for Production Administrators

Here's a list of all the supporting material available and some other information you might need. Pricing for the production materials is supplied automatically with a Perusal Set. Royalty pricing can only be provided as a formal quotation.

Available now (see below) ...
 
Preview Script/Libretto
You can download straightaway a shortened copy of the script/libretto to read and get a relatively good picture of whether you would like to proceed to the next step. The Preview E-Script is made available to you as a pdf file sized for A4 paper and contains just over half of the script.libretto.
Perusal Set
These are available for customers in European Union countries only to borrow free of charge (but you have to pay the postage to return the set to us). The set contains ...
 
  • Printed Libretto
  • Printed Piano/Vocal Score
  • Sampler Audio CD (17 selected tracks)
  • DVD of the full production at the Minack Theatre, Cornwall, 2008
Available after Perusal ...
 
Libretti/Vocal Scores

Available to purchase in this form ...

  • Rehearsal Master Set on a Data CD (Cast). This contains the script and piano vocal score for your cast and crew provided as A4 pdf files. No problem about possible loss of deposit, as they are yours to print out and mark up as required. The price includes a multiple copying licence allowing you to copy the Data CD itself (enabling you to give or sell copies to your cast for them to make up their own rehearsal books) or to make multiple prints of the pdf's on the Data CD for your production company to organise and provide to your cast or crew.

To order this, create account with us, then go to the 'Ordering for Musicals' page

Please note that we do not sell individual printed copies of libretti, nor do we hire sets of printed rehearsal libretti or scores.

Available after Rights Obtained ...
 
Backing Tracks
For use in support of your rehearsal pianist.
Orchestrations
  tba
Royalty Type
Royalties for this title are 'variable fee, post paid', and will be calculated on a percentage of your box office income once your production has finished. See our pricing policy for details. We work on a quotation system for royalties, based on information you supply to us. Complete a printed application form or create account with us, and use the online version.
Video Licence
We have secured the rights to video productions of this title from the Author, and we manage them on his behalf. Once a 'Licence To Perform' has been granted, and then on payment of a fee, we will be able to issue a 'Licence To Record'. There are some strings attached to this, but these are far outweighed by the benefits.
 
  • Record one or more live performances and mix down to a single video
  • Give or sell copies to your cast and crew
  • Sell copies to your audiences (take advance bookings on the night)

     

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